If you were pitching your songs to a producer, artist, manager etc then you will need fully produced and well produced demo’s for these types of pitches.ģ. The Demo: GSC wants you to know…If you had a publishing deal and was a staff writer for the featured publisher, this publisher would hear your songs every day in their most simple form of a guitar vocal or keyboard vocal. Professional songwriters have worked years at developing their songwriting craft and earning the respect of the publishing community which earns them the opportunity to have their songs heard.Ģ. Paying to Pitch a Song: GSC wants you to know that professional songwriters do not pay to have their songs heard by a publisher. With that in mind we want you to be aware of these facts.ġ. Read More About the Realities of Song PluggingĪt GSC we always want you to know the real journey of a song from the pen to the publisher. If a publisher takes a song, you will want to connect with that songwriter and possibly co-write with that writer.Should the publisher choose to comment on a song, you will learn from what he has to say.Out of respect for the other participants.You are encouraged to stay involved in the webinar while all songs are listened to and here is why:.The publisher will either PASS on your song OR he may choose to keep your song for further consideration. This is a real publisher pitch opportunity.This event is not intended as a publisher evaluation service although in most cases, the publisher will offer constructive advice. The publisher may or may not comment on your song.The publisher will only listen to the first verse and the chorus of your song.You do not have to have a full demo for this event. Guitar vocals and keyboard vocals are acceptable.GSC wants the publisher to connect with you.) (Please list your name and where you are from on the top of your lyric. If you purchase a song pitch, you will need to email your song ( in mp3 format only) along with your photo/bio ( On same page in Microsoft Word format only) and lyric ( Microsoft Word format only) to by 48 hours before the event.Once you purchase the POP event you will receive a confirmation that will contain your step by step instructions for logging into the webcast.This event is limited to 30 song pitches.Members can take advantage of the “Listen Only” option for only $20 before pitching a song.One of the most important elements of this service is that you will be connecting with a publisher, creating a relationship with this publisher and learning the pitching process professional songwriters utilize every day. Through GSC’s affordable Publisher Online Pitch service you can have your song or songs heard by a reputable publisher from wherever in the world you live and without the expensive cost of travel. If only I could get a legitimate publisher to listen?” Have you ever thought: “Wow I think I have a really good song. NEW Listen Only Option Available for Members for Only $20 (Note: Listen Only sales close at 9:30am the day before the event.) She serves as an adjunct professor in the Music Business department at Belmont University, instructing Music Publishing and holds a BBA from Belmont University and a MS in Mass Communications from Middle Tennessee State University. She is also an alumnus of Young Leaders Council of Middle Tennessee and Grammy Next. She is President-Elect of the Americana Music Association board of directors, a voting member of the Recording Academy,the Academy of Country Music, the Country Music Association, and AIMP. Gregg co-produced the annual Americana Music Awards show at the Ryman Auditorium from 2010-2012, and the Nashville AIMP awards (also at the Ryman Auditorium) in 2016-2018. She previously spent time at Zomba Music, Billboard Magazine, and ASCAP. She directs the sync efforts of Carnival, landing songs in multiple films and television shows. Gregg has handled A&R duties for producer Frank Liddell on projects by Miranda Lambert, Lee Ann Womack, David Nail, Kellie Pickler and others. During this span, six unique songwriters celebrated their first number one single while writing at Carnival. During this time, the company has experienced 16 number one songs, among countless other singles. Throughout her tenure at Carnival, she has worked with the aforementioned artists, along with guiding the songwriting efforts of Scooter Carusoe, Natalie Hemby, Mark Irwin, Bruce Robison, Gretchen Peters, Troy Jones, Don Schlitz, to name a few. She oversees the company’s operations and has been instrumental in artist projects forEli Young Band, Hailey Whitters, Brent Cobb, Aubrie Sellers, Roman Candle, Jedd Hughes, Adam Hood, Rob Baird among others. Courtney Gregg currently serves as VP/GM for Carnival Music.
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